Mostrar mensagens com a etiqueta Marie Spartali Stillman. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Marie Spartali Stillman. Mostrar todas as mensagens

sexta-feira, 15 de maio de 2026

"Mariana" - Poema de Alfred Tennyson



John Everett Millais (English painter and illustrator who was one of the founders of the
 
[The image depicts the solitary Mariana from William Shakespeare's Measure for Measure, as retold in Tennyson's 1830 poem "Mariana".] 


Mariana


With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not, "she said;
She said "I am aweary, aweary
I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, "My life is dreary,
He cometh not, "she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then said she, "I am very dreary,
He will not come, "she said;
She wept, "I am aweary, aweary,
Oh God, that I were dead!" 
 
 

Marie Spartali Stillman (British painter, of Greek descent, 1844–1927),

"Mariana", c. 1867–1869. Private collection.


sexta-feira, 18 de janeiro de 2019

"Uma Flor" - Poema de Helder Moura Pereira



Marie Spartali Stillman, A Rose from Armida's Garden, 1894



Uma Flor


Descobre a flor que há
na rosa, as coisas
mais para lá do que é
visível. A serrilha
da fotografia magoa
as mãos, quando entrei
pentearam-me, fizeram
incidir o projetor, eu
não sabia que tudo ia
ficar para sempre
Depois repeti algumas
vezes: descobre a flor
que há na rosa, espera
que a adivinhem
sob as pétalas. Olho
a cegonha no álbum,
sorrio quando vejo
os cantos fixados, o nó
da gravata, a seleção
do melhor fundo.
Crescia a voz no quarto
dos sinais, crescia
o vento no quintal
da infância. As folhas
do eucalipto tapavam o ar
do minério, o petromax
dirigia a luz no túnel.
Cada vez mais para dentro
da terra, antes de cada
desabamento eu ouvia
a própria voz: descobre
a flor que há na rosa,
oferece apenas aparência.
Se ao nascer do dia
caminhas na superfície
da terra aguardas
que nada tenha mudado.
Surpresa de ver
o sol, o rosto de sobre quem
te deitas, os dedos
reconhecendo as formas.
Conhecem-te os gestos. Mas
só tu saberás a flor
que há na rosa.


Helder Moura Pereira
, 
“Uma Flor” (p. 158)

Os Cem Melhores Poemas Portugueses dos Últimos Cem Anos,
José Mário Silva
(org.), Companhia das Letras, 1.ª Edição, Novembro 2017



 

"Não há amor como o primeiro, mesmo que esse primeiro seja o último."

Vergílio Ferreira, in Pensar, 1992


sábado, 24 de dezembro de 2011

"Há palavras que nos beijam"- Poema de Alexandre O’Neill




Há palavras que nos beijam


Há palavras que nos beijam
Como se tivessem boca.
Palavras de amor, de esperança,
De imenso amor, de esperança louca.

Palavras nuas que beijas
Quando a noite perde o rosto;
Palavras que se recusam
Aos muros do teu desgosto.

De repente coloridas
Entre palavras sem cor,
Esperadas Inesperadas
Como a poesia ou o amor.

(O nome de quem se ama
Letra a letra revelado
No mármore distraído
No papel abandonado)

Palavras que nos transportam
Aonde a noite é mais forte,
Ao silêncio dos amantes
Abraçados contra a morte.




Mariza - Há palavras que nos beijam